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| 1618 |
| | | The Teatro Farnese in Parma is the first to have a proscenium arch, framing perspective scenery painted on flat wings | |
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| 1618 |
| | | The 19-year-old Flemish painter Anthony van Dyck is employed by Rubens in Antwerp as his chief assistant | |
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| c. 1620 |
| | | The Dutch painter Frans Hals displays exceptional brilliance in his group portraits, including several of the civic guards of Haarlem | |
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| 1622 |
| | | Bernini's youthful Pluto and Proserpina, suggesting soft flesh in cold marble, introduces the lively tradition of baroque sculpture | |
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| 1622 |
| | | The Flemish painter Anthony van Dyck begins a five-year stay, and a successful career as a portrait painter, in Genoa | |
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| 1623 |
| | | Diego Velazquez becomes court painter to the king of Spain - a post which he will hold for the remaining thirty-seven years of his life | |
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| 1625 |
| | | Rubens completes a great narrative sequence of twenty-one paintings to celebrate the achievements of Marie de Médicis | |
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| c. 1628 |
| | | The Dutch painter Rembrandt van Rijn develops a life-long interest in self-portraiture | |
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| 1629 |
| | | The sculptor and architect Giovanni Lorenzo Bernini is given the task of adding the drama of baroque to the newly completed St Peter's in Rome | |
|  | Bernini's Baldacchino in St Peter's
Fotofile CG
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| 1631 |
| | | Rembrandt moves from his home town of Leiden to set up a studio in Amsterdam | |
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